That Floating Poo Was Way Too Symbolic! It's the TV Disappointments of the Past Year.
As we reflect on the television landscape of the recent year, a selection of series emerge not for their brilliance, but for their spectacular shortcomings. Ranging from awkward spin-offs to bafflingly poor docuseries, here are the programmes that left us scratching our heads or simply reaching for the remote.
The 'Sex and the City' Sequel
How to start with this divisive follow-up? Burdened with woeful scripts, cringe-inducing arcs (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show fought to justify its existence. Briefly, as the final season started, it looked like it had at last hit its stride. Then arrived an episode all about Seema’s natural deodorant. No wonder the showrunner announced this would be the last season. It concluded on a low point; the closeup of Miranda’s toilet full of poo was simply too on-the-nose. Still, viewers certainly found joy picking apart every single “wtf?” episode. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who couldn't release a little sob?
The Kim Kardashian Drama
‘Is Kim Kardashian an actress? The answer is a resounding no.’
But that was practically the least of this show's issues. The recipient of a exceedingly uncommon zero star assessment, it was difficult to know where to begin listing the problems. The laughably leaden dialogue? The tedious glorification of affluence and materialism? The seemingly wilful procession of tropes? Performances so poor they felt borderline malicious? Let’s just say “each and every one” and forget about this show again. Except, a second season has been ordered, so we’re probably going to have to.
AKA Charlie Sheen
Considering the legal troubles, domestic violence claims and fatherly failures, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d really have gleaned it from this three-part documentary which chuckled along at Sheen’s various bouts of self-destructive hedonism while struggling to tell us anything we weren't already aware of. Rather, it felt as if this volatile personality was being indulged, so any pity this series might induce should be saved for the people who have had to endure proximity with this charming but flippant narcissist.
The Iris Affair
Naturally we knew it was ridiculous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of pure love for its stars … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ended up hacking Charlie with an axe … in super slow-motion. That's what you call admitting defeat.
MobLand
Dodgy figures convening in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.
Actually, that is unfair on the crime shows of the late 90s. Many look a bit dated now, but at least they didn’t endure the ignominy of having to indulge baffling accents. But there were plenty of other issues. Mainly that it was just profoundly boring; a conflict over drug-selling territory between various cockney picaresques which felt a bit basic.
With Love, Meghan
Given the degree to which she provokes the ire of the nation’s ostentatiously angry commentators, it’s temptingly easy to admire the Duchess of Sussex’s televised forays into quaint lifestyle as intentional statements. But then you watch them and are compelled to admit that in this case, they might have a point. It’s like watching a homeware catalogue animated; a meme for evening drinks with ideas of grandeur; a procession of sleeping dogs, buzzing beehives, sentimental platitudes and forgettable crafting “hacks” you’ll forget instantly. All supported by immense, mostly unearned wealth. Ugh.
The Beckham Documentary
There are obviously fascinating things to be discussed about both Victoria Beckham and her struggles with vocation, self-image, self-worth. But for whatever reason, this three-part series opted not to explore them. Instead, the experience was akin to reading a marketing catalogue. She clearly has good reason to bridle at what she describes as her “stern” image. But unfortunately, she failed to do herself any helps with this guarded letdown of a series.
The Inheritance
It had the potential to be the next big hit – except even more extravagant, with a glamorous star playing dead and a sharp-tongued personality overseeing her inheritance. What more could you ask for? As contestants battled it out, there was plenty of betrayal and squabbling. But the rules quickly became incomprehensible: it’s even now too confusing to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via prerecorded videos. The show ended up smelling of a programme that was straining desperately to emulate something way beyond it.
Too Much
How do you succeed a show that captured a generation? The expectation was immense for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The star seized the opportunity by the horns and was a delight to watch, reveling in Jane Austen levels of romantic ideals. But it was all very slick and, ironically, was not enough. Plus, the sheer amount of famous friends involved felt uncomfortable.
The Sketch Show Return
Not good enough to be ‘patchy’.
Given the shrewd inclusion of gifted emerging comics, expectations were high. But unhappily, most of it fell flat. A recurring sketch was a single joke stretched to a husk but recurring in every episode. One star seemed too willing to slip into a familiar irate mode. The behind-the-scenes sketches, in contrast, simply inspired the idea that they should probably have remained in there a bit longer.
The Twisted Tale of Amanda Knox
This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this was not it. The material needed to be treated sensitively. Rather, the series laboured awkwardly to find the right voice, lumbering from strangely jaunty, slightly mannered farce to inevitably, real-life horror. Complex? Arguably. A complete mess? Absolutely.
The Maths Genius Thriller
We love the star … but did we believe him playing the most brilliant maths genius since, a man so smart he’s on the brink of a breakthrough that could destabilise society? Nope! This international thriller about government agencies spying on – and killing off – academics honestly got more absurd by the second. Formulaic nonsense.
1000 Men and Me: The Bonnie Blue Story
This uncritical portrait followed the online personality renowned for sexual escapades as she undertook her most extreme feat yet. What on earth would possess her? What we craved was far greater examination of her true psychology, plus those of the men in the queue. They could at least have interviewed the legendary mum who appeared to drag her son out of the queue. What we got was disturbing imagery and zero interrogation of her infamy whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.